Miranda July "You Me and Everyone We Know"

Miranda July throws out this sense of awkwardness in her films.

Richard- The father that well isn't the best dad nor does he realize how to relate to his kids after his wife and he divorces.

Miranda July's Character Christine - A artist waiting to be found while she's working at elder cab. a cab for elder people to explore the world.

The sons - who are trying to get by in life

The girls - trying to find out their way into adulthood and being different trying to get into the idolized view of being an adult.

It's kinda surreal how awkward everyone is in this movie. From the girls hitting on a 35 year old shoe salesman and him writing how he's suck their titties kinda is freaky in a scary sense.

Then the 5 year old who talks online to an older woman about how he wants to put poop up her butt. @_@; I mean in a sense it brings up the conclusion on human interaction and how odd it is but their way of speaking in inane. The metaphor on when Christine and Richard are on the street as a break up to a new beginning and death of a relationship

The sexual nature of social ideology of relationship fantasies, and growing up.

Virginity being glorified with a childlike curiosity, curiosity and mystification of relationships.

It's all delusional yet realistic in its points of anonymity and situations of life put out there in a awkward view of third person to make us cringe in discomfort.